Alcazar
An interlocking pinwheel tile drawn from the geometry of Moorish-Spanish palace floors — dense, locking forms where the arms of one figure fit the notches of the next.
A blocky interlocking tile, repeated so each unit locks into its neighbors — the arms of one figure filling the notches of the next. The result reads as a tight, continuous field rather than a stamp, every shape defined as much by the spaces around it as by its own outline.
The geometry belongs to the Mudéjar tradition — the Iberian fusion of Moorish geometric craft and Spanish building, the dense locking tilework that runs across the floors of an Andalusian palace. Interest comes from how the units knit into one surface, edge to edge, with no figure standing apart from the field.
At architectural scale the interlock makes sense as a screen, a wall, or a paved floor. At jewelry scale a single piece, cut from sheet metal, carries the same locking silhouette the full field would carry at building scale.
From this pattern
The same patience that fills a pendant fills a panel.